Blue Prints

This series started as a study, an exercise to better understand cyanotype toning and bleaching effects. This light-based technique's simplicity enables me to experiment with its ever-growing possibilities, and keeps my curiosity active and excited

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These prints are sun-drenched and carry with them bright energy, I approach them in a meditional and playful manner

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I start the composition with a rectangular shape, altering the exposed chemical with bleaching agents and leaving the response to the nature of cyanotype. After that initial shape, the dark blue exposed background will start a dialogue with my it, and ill respond intuitively with another rectangle in some conversation forming the composition.

I enter a meditional state